Beatrix At Dinner, Directed by Miguel Arteta

This is by far one of Salma Hayek’s finest performances, one I’ve been referring to as Salma Unplugged. She’s natural, beautiful and outstanding in this look at capitalism in its boorish form from a perspective outside the gated shelter of wealth.

This film makes you cringe-laugh, gasp and feel an enormous sense of sadness for it depicts something we are all too familiar with these days, greed, and issues that divide many.

Not a film many will say they enjoyed but it’s certainly one many will remember.  And I will be shocked if Salma hasn’t earned herself some award dominations with this raw performance.

Worth seeing and I am sure we will see more of this genre….what shall we call it?

 

Rules Don’t Apply – Directed by Warren Beatty 

This film will be released on November 23rd. I had the good fortune to attend a preview screening at TIFF, followed by a Q&A with Warren Beatty and Lily Collins, hosted by Toronto’s own crazy sock wearing film critic Richard Crouse. I did enjoy the film, but the Q&A was definitely the highlight.  Warren Beatty was charming, funny and very generous with his time. It’s always great to see a film maker who is so enthusiastic about his or her film, perhaps because it is his first film in 18 years. Rumour has it has been 40 years in the making. It was made clear to us that it is not a Howard Hughes biopic or love letter. Warren plays Hughes, which is a fairly pivotal role in a film which centers around the relationship between an aspiring young actress Marla, played by Lily Collins and her young driver Frank, played by Alden Ehrenreich, both hired by Hughes for his movie making machine.

Just a quick bit about the plot here only to give you a sense but hopefully not enough to spoil it.  Marla arrives in Hollywood with her mother, played by Annette Bening, to screen test for Howard Hughes. She’s put up in a beautiful cliff side mansion and driven about by Frank who is strictly forbidden to fraternize with the actresses. Hughes’ rules. This is where I will leave you so as not to ruin the film.

While this may not be Hughes’ biopic, it may be an allegory for Beatty’s. Quite the playboy who loved and left many women in his heyday, this could be seen as an acknowledgment and perhaps even an apology. Lily Collins looks very familiar, perhaps a bit like Natalie Wood with whom Beatty had a two year affair in the 60s.

This is the third film I’ve seen this year that takes us back in time to the earlier days of film making.  La La Land and Their Finest were the other two. And last year we had Hail, Caesar! These films naturally have very wide appeal, especially for film buffs. While this might not be destined to be an Oscar classic, it’s a nice nostalgic film and the performances are solid. There are a number of great cameos throughout the film, but the film is really owned by the two young leads. We will see more great roles for both Lily Collins and Alden Ehrenreich. I’m sure they learned a lot from the legend himself.

During the Q&A it was shared that they took more time than is usually afforded in pre production to work through character development, that Warren will exhaust his actors and get as many takes as time allows and that the film was not derived from any particular person but imagined and perhaps influenced by memories from his subconscious. We also learned that he believes his wife Annette Bening is the greatest actress. But the most memorable moment in the Q&A was the very first question. Well it wasn’t a question exactly. As the microphone was passed to the gentleman sitting directly in front of me someone simultaneously handed Richard Crouse a business card.  Then the man with the microphone spoke. He said something like “My name is Warren Beatty. I am fourth generation African Canadian. I am 65 years old, so my mother did not name me after you.”  He then shared that he has benefited over the years from mistaken identity with presidential suites in hotels. Sure enough, the business card confirmed his name and Director / actor Warren thought this was terrific and said they needed to speak afterwards.

I hope this is not the last of Warren Beatty’s films. It is nice to have him back and something tells me he’s got more to give to the industry.

Midnight Special vs 10 Cloverfield Lane

I just happened to see both of these movies this week, so why not put them up against each other since they are likely to appeal to the same movie crowd.

These films are similar in some ways.   Both pay tribute to some earlier films .   10 Cloverfield Lane obviously inspired by Cloverfield and Midnight Special, well it might ruin it but safe to say it’s an homage to a certain director’s films.

Both films take you on a crazy journey where you are not quite sure exactly what is going on.  And that’s the beauty of it.  So don’t read trailers that talk about plot points.

What did I love about Midnight Special?   Michael Shannon and Joel Egerton.   These guys are such amazing actors that do incredible things with minimal dialogue.   Also the story has a great message about parenting and allowing your children to be who they are destined to become even if you don’t understand what it is.

What did I love about 10 Cloverfield Lane?  The perfect chemestry of madness in the casting of John Goodman, Mary Elizabeth Winstead and John Gallagher Jr.  And the sheer craziness of the story.  Also that the protagonist hero in this story is a young woman.

What didn’t I love about Midnight Special?  It was a bit slow in spots and not terribly original.  And the glowing eyes were annoying.

What didn’t I love about 10 Cloverfield Lane?  Nothing stands out.

For me 10 Cloverfield Lane came out ahead on the thrill scale.  Something I might watch again.

The Woman in Gold – Stories that need to be told 

The trailer for this film did not do it justice, in my opinion.  It is a really great movie with an important story to tell.   Maybe if it had been an HBO film it would have done better. I know the producers bet on a small number of films to go big or go home with and with the over abundance of excellent films this year The Woman in Gold did not make the cut. As I said, the trailer did not intrigue me and I only saw it because a trusted friend recommended it. She and I don’t always agree on all films,  but generally we do on agree on human interest stories.

The story is simple, it is based on the true story of Maria Altman and her quest to reclaim a Gustav Klimt painting that had belonged to her family.   The painting, an Austrian national treasure, was a portrait of her beloved aunt and stolen by the Nazis.   Helen Mirren plays Maria and I thought she did an incredible job. Shhe was, after all, recognized with a Golden Globe nomination for this role.

Ryan Reynolds portrays Randy Schoenberg, the son of Maria’s close friend, who is struggling to find success as a young lawyer.  Maria approaches him to help her with her quest because someone she feels she can trust him.   Reluctant at first, he is eventually persuaded not only by her charm and the potential for financial gain, but by the opportunity for redemption and acknowledgement by Austria of some of the atrocities carried out in the war. There is a scene where Ryan Reynolds’s character realizes why this case needs to be won and I believe this is the best acting I have ever seen from Ryan Reynolds.  I will not spoil the moment by describing it here.  Best you experience this for yourself.

It is a solid film with a good message. Hopefully through word of mouth and video on demand, more will see it.

Jules

Hail, Caesar! Written and directed The Coen Brothers

I am one of the Coen Brother’s original fans and I was supposed to see it with my daughter, but could not wait to see it. Too many trailers taunting me.  I was a bad mother and went to see it without her on the opening  Friday.  My first impression was that it lacked a certain emphasis, a certain humour and I was a bit disappointed.  Then I let it slip that I had seen it. Mom!!! How could you???  And off I went to see it again.  This time in the VIP theatre. Who pays twice as much to see a movie that disappointed them a second time? Apparently I do, but hey it’s the Coen Brothers.  Surely I missed something.

I have to say I did enjoy the film much more the second time. This is a film about the golden age of movies, a film about capitalism, a film about socialism, about writers and a film about secrets, but most of all it is a film about resigning oneself to the empire of illusion not because you have to but because you want to, because you love it.   Like Ethel Merman sang “there’s no business like show business”.

This is not my most favourite Coen Brothers movie but I found it moderately entertaining and it actually made me think more about it the second time.

Jules